Earlier this year I borrowed a book on networking from the local library. Build Your Dream Network by J. Kelly Hoey was not likely to help me much in my business, and I knew this going in. The film industry is less about LinkedIn and corporate ladders as it is about building a reel and meeting people who want to hire you again. Reading this book was slow going–
–and then the pandemic hit. Suddenly a book on networking just seemed ironic when everyone was stuck at home and every gig and job for the year was cancelled.
Thanks to a very generous library return policy, I finally finished this book and wanted to share some insights on networking as it applies to working in film.
I’m also keeping in mind the quarantine aspect of our current situation. Going to any sort of networking or meet-and-greet event is currently out. Stay socially responsible and do make your connections from home while things are still slow and social gatherings are not possible.
Networking in General
Networking is defined as “the action or process of interacting with others to exchange information and develop professional or social contacts.”
Making connections is how you get jobs. Sure, you can get gigs by applying to online job postings, but if you’re a freelancer, much of your work will be through repeat hiring by people who like you and projects that received your name as a recommendation. Expanding your network is a way to get some sense of job security. The stronger your network, the more likely you will work. See what I did there?
Also, networking should be considered an ongoing process. It’s not just something you do until you get the first job, or for the first year of your career — it’s continuous. Contacts come and go and production companies can move. You don’t want all your eggs in one basket.
I also highly recommend having some sort of network in place before you move to a new place. Reach out to some folks in the area you want to live, ask questions, put examples of your work out there. You’ll be more established than if you go in blind.
My Networking Experience
When I first moved to Georgia, I spent the first few months living off my savings and reaching out to as many people as I could. I also went to some networking events with varying degrees of success.
Most of my connections were made through Facebook groups. Thanks to Atlanta Film Community’s bi-weekly “Self Promotion Posts,” I was noticed by a local DP and director, both of whom have continued to hire me on their projects.
“Networking is connecting through shared stories and experiences. Its building a human connection, not simply stating a need to be filled (or, in the case of startups, a check to be written).” – J. Kelly Hoey
I’ve connected with other people by seeing their online presence on social media, reaching out and having a chat, exchanging resumes and reels.
One sound designer I networked with put up a self promotion post on a general film page. I saw it, looked at his work and contacted him. After seeing his quality of work and interacting online, I knew he’d be a talent to have on set. After our first film together, I continued to recommend him for numerous jobs, and he’s done the same for me.
A fellow camera assistant posted about wanting to connect with like-minds in Atlanta. I reached out, and we’ve both recommended each other for jobs. She even had me over at a dinner party (ahem, in January, pre-COVID) where I was able to connect with even more people.
You should be getting the sense that networking is not about saying “hire me,” it’s about developing a relationship and mutual respect with another person. This should be done delicately. Don’t spam post anywhere, don’t eek out desperation, and know the right time to send an unsolicited message to someone you don’t yet know. You should know when the time is right.
Reach out to people you admire, whose work you appreciate. Check out someone’s work on Instagram, Twitter feed or their website and demo reel. Send them a quick message if you like their work. It means a lot. That might even open up a dialogue, but you shouldn’t try to force someone to hire you.
Thanks to these weird times we live in, the latest film festival to show my short The Road Less Traveled — Cat Fly Film Festival of Asheville, NC — held an online streamed event. I reached out to two people — one in Atlanta who I hadn’t met before, and the director of the film I liked the most in the festival By Sunrise, a superbly done short horror film. Thanks to interacting at this streamed film festival, I made excellent connections I may be working with in the future.
Build Your Dream Network also had some great pointers on how not to network.
One such piece of advice is very sound: don’t just reach out to someone when they’ve landed a big job or coveted position.
“But,” you argue, “Didn’t you just say to reach out to people whose work you admire?”
Sure! But did you establish a relationship with someone, only to ghost them until that success and it looked like you could get something out of it? Don’t be selfish. Keep up on your contacts, check in with the people you like and recommend people for jobs. It’s all good relationship fodder.
Now, you can say “congrats!” to them if you feel necessary, but if that’s the only time you’ve contacted the person, the contact might be too little too late — at least according to J. Kelly Hoey’s book.
I’m proud of my friends and colleagues when they post their successes, and I try to do my part by sharing what they want shared, supporting a fundraising campaign or posting when they’re going to do a livestream or a radio interview. It means a lot to have that kind of support.
If you have a garden, do you only water it when the tomatoes are ripe? Think of that daily watering and maintenance as a way you should approach building your network. In the film industry we meet scores of new people at every job — you don’t want your name to disappear in a thrown away call sheet.
So, while things are still slow, this is your time to reach out to people, make those connections, and maybe polish all your public profiles and make sure things are up to date. You’ll want to hit the ground running when production starts back up.